How to Produce a Webcast… part 3

Microphones

We move from video devices in part 2 to audio devices in part 3.  Audio is a very important piece to the webcasting puzzle.  Without the proper equipment, your webcasts will have no sync, poor quality sound, or worse.  Just look at our first Episode of Week in Review.  We had two microphones, one was 7 years old and no longer provided the quality our show demanded.  In Episode 2 we used one microphone for David and I used the older microphone due to the limited amount of talking I would be doing; we had a guest linked in via Skype.  I’ll show you more about that in part 4 when I discuss the audio mixer.

imageLike with our other equipment, we are on a very limited budget.  So I dropped by my local RadioShack for a low cost microphone.  I found the Wireless Lapel Microphone System at the wonderfully low price of $49.99 each.  I quickly purchased one to add to the one I already had.  The quality is perfect and being wireless, I could position the host anywhere in my home office studio:  main desk, couch, walking into the room, etc… This ability was important to me for this project and others.

After our first show I quickly learned that the older Wireless Lapel Microphone I already had degraded far enough that it was unusable.  So I dropped back by my local RadioShack for a second Wireless Lapel Microphone System.  One caution to remember is that wireless microphones transmit on frequencies.  It was important to get the second mic that transmits on a different frequency.

These wireless microphones are perfect for different scenarios.  However I’m looking for high quality or the HD audio version of microphones.  Once our show takes off, we’ll be looking at upgrading these wireless microphones to something else.

imageWhile researching I came across the microphones I’d like to use with our show.  The Heil PR-30 has a wonderful reputation for high quality audio with a dynamic range.  David and I can use all the help we can get when it comes to audio quality.  I found this microphone over at Amazon for only $249.  That’s not bad for the quality I’m looking for.

Along with the microphone, I’m looking to utilize a Heil Sound PL-2T Microphone Boom for $120, a Shockmount for $99 to reduce table vibrations and lastly an XLR male to XLR femail microphone cable for $8.85.

The current microphones work very well and we’re likely to continue using them for a while… unless anybody wants to donate the upgrade costs?

Cost Sheet

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In the next part of my How to Produce a Webcast series, we’ll talk about how to mix audio from multiple sources:  2x Lapel microphones, Skype, Computer, and an MP3 player.

How to Produce a Webcast… part 2

Video Cameras

We got off to a good start with my previous post (part 1) about choosing the right person to Host our webcast.  In this post, I’ll talk about the camera I’m using, why I chose it along with upgrade options we’re looking at if the show really takes off.

For the start of our new show Week In Review I chose to use the Microsoft LifeCam Cinema for a few reasons.  image

The first and most important for any new venture is price.  I took a trip down to my local Wal-Mart, I live in NWA and there’s a Wal-Mart every 10 miles… literally, and browsed around the electronics department.  No one in NWA can beat them on the price point, although everyone can beat them on selection when it comes to computers and computer accessories.  Anyways, I picked up two of these cameras at the low low price of $79 each.  I was under a time constraint and with the launch of the show just weeks away, I wanted time to configure, confirm and possibly return if necessary whatever I chose to sue.

The second reason for this selection is the widescreen High Definition video it produces.  I wanted to produce a high quality 720p video production and our local options are limited.  I did my research online and of the options I had the LifeCam Cinema fit the bill.  I brought it home for testing and everything worked better than expected.  The video was so crisp and clear I had to go change my shirt cause I noticed I’d spilt some of my lunch on it earlier today.

imageHere is an image of my first test.  It was directly being compared to an old webcam I was using before and demonstrates the higher quality of the broadcasted image.  Click it to view it larger and see the clarity the LifeCam Cinema provides over my older HP standard definition webcam.

The next qualification for this camera was if it would be compatible with the video mixer software I chose called VidBlaster.  I’ll go into greater depth about this software in part 5 of my series.  On a side note, the video mixer software can only accept one audio feed.  This meant that if I was using more than one camera, I could not use the microphones from each.  As a result I needed to buy an audio mixer in order to supply the mixed audio from multiple sources.  I’ll discuss further about the audio mixer in part 4 of my series.

During my research I discovered many options available for supplying the video I want.  Some were much pricier than the option I chose, however some of these are in my upgrade plans if the show takes off.

A possible upgrade path for our video equipment will include a few different pieces.

HD Camcorder:  The one I’ve researched with a reasonable price range for ourimage size production is the Canon VIXIA HF R20 Full HD Camcorder.  This $340 camera has the HD quality we’re looking for and the portability we’d like to add to the show.  We can use this portable camera to film events, then play them during our LIVE broadcast and edit them in during post-production.  Combine this with the compatible WM-V1 Wireless Microphone and we can capture HD video and audio easily when remote on location.

HDMI Capture Card:  This PCIe computer card will convert the HDMI computer signal from the camera to digital video imagethat VidBlaster can use as a video feed.  The device I’m looking at is the Blackmagic Design Intensity Pro HDMI card.  At $189 at the time of research, this price fits perfectly into a reasonable upgrade budget.  Other options on the capture card can be found over at BH Photo Video.  If I’m looking to have 2 Camcorders, I can simply purchase a second capture card since I have several PCIe card slots in my video mixing computer.

Both the Camcorder and the Capture Card(s) will provide us with remote recording capabilities.  This won’t make us LIVE on remote, however it is a good start in that direction.  Another benefit gained by these two devices is the ability to have 3 in-studio video sources.  Now we can have a nice widescreen zoom able video feed from our studio couch when we have guests.

Cost Sheet

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Next we’ll look at the options I chose for capturing audio from my host and his in-studio guests.  Be sure to join us for part 3.